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	<title>Comments on: Music in 5/4 time</title>
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	<description>The blog of John D. Cook</description>
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		<title>By: tony</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-135846</link>
		<dc:creator>tony</dc:creator>
		<pubDate>Tue, 07 Feb 2012 08:20:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-135846</guid>
		<description>radiohead now sucks for me because they ruined a classic. get a better voice too btw dude from radiohead</description>
		<content:encoded><![CDATA[<p>radiohead now sucks for me because they ruined a classic. get a better voice too btw dude from radiohead</p>
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		<title>By: q_the_physicist</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-135538</link>
		<dc:creator>q_the_physicist</dc:creator>
		<pubDate>Sun, 05 Feb 2012 23:45:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-135538</guid>
		<description>odd times aren&#039;t that &quot;odd&quot; at all. they are just additions of two regular times, in this case with &quot;take 5&quot;, the musicians are adding 3 and 2, both normal beats in western music. so when you listen, you are not actually counting to five, but rather counting a &quot;3&quot; and then a &quot;2&quot;</description>
		<content:encoded><![CDATA[<p>odd times aren&#8217;t that &#8220;odd&#8221; at all. they are just additions of two regular times, in this case with &#8220;take 5&#8243;, the musicians are adding 3 and 2, both normal beats in western music. so when you listen, you are not actually counting to five, but rather counting a &#8220;3&#8243; and then a &#8220;2&#8243;</p>
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		<title>By: Gene S</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-126244</link>
		<dc:creator>Gene S</dc:creator>
		<pubDate>Thu, 29 Dec 2011 22:30:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-126244</guid>
		<description>My grandfather used to play pipe organ for vaudeville and silent movies in the &#039;20&#039;s and 30&#039;s until talkies terminated his position. The audience often would tap their feet on the wooden suspended floor resulting in a loud beat with his music.  When this happened, he would slide into a few bars of 5/8 time music where the tapping would stop after the few bars. He then resumed the regular music to a non-tapping audience. Very clever.</description>
		<content:encoded><![CDATA[<p>My grandfather used to play pipe organ for vaudeville and silent movies in the &#8217;20&#8217;s and 30&#8217;s until talkies terminated his position. The audience often would tap their feet on the wooden suspended floor resulting in a loud beat with his music.  When this happened, he would slide into a few bars of 5/8 time music where the tapping would stop after the few bars. He then resumed the regular music to a non-tapping audience. Very clever.</p>
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		<title>By: Mike S</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-123535</link>
		<dc:creator>Mike S</dc:creator>
		<pubDate>Tue, 20 Dec 2011 03:45:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-123535</guid>
		<description>The following paper contains a fairly extensive list of music, and musical genres, in time signatures that are not simple variants of 4/4 and 6/8.

&lt;a href=&quot;http://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=2&amp;ved=0CCgQFjAB&amp;url=http%3A%2F%2Fcgm.cs.mcgill.ca%2F~godfried%2Fpublications%2Fbanff.pdf&amp;ei=igPwTsq5AeaSiALfvJGmDg&amp;usg=AFQjCNGicA_qVlQNgmZZam3Xex3Opm_UyQ&quot; rel=&quot;nofollow&quot;&gt;

&quot;The Euclidean Algorithm Generates Traditional Musical Rhythms&quot;
&lt;/a&gt;
by &lt;a href=&quot;http://cgm.cs.mcgill.ca/~godfried/&quot; rel=&quot;nofollow&quot;&gt;Godfried Toussaint&lt;/a&gt;

&lt;i&gt;The Euclidean algorithm (which comes down to us from Euclid’s Elements) computes the greatest com-
mon divisor of two given integers. It is shown here that the structure of the Euclidean algorithm may be
used to generate, very efficiently, a large family of rhythms used as timelines (ostinatos), in sub-Saharan
African music in particular, and world music in general. These rhythms, here dubbed Euclidean rhythms,
have the property that their onset patterns are distributed as evenly as possible. Euclidean rhythms also
find application in nuclear physics accelerators and in computer science, and are closely related to several
families of words and sequences of interest in the study of the combinatorics of words, such as Euclidean
strings, to which the Euclidean rhythms are compared.
&lt;/i&gt;</description>
		<content:encoded><![CDATA[<p>The following paper contains a fairly extensive list of music, and musical genres, in time signatures that are not simple variants of 4/4 and 6/8.</p>
<p><a href="http://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=2&amp;ved=0CCgQFjAB&amp;url=http%3A%2F%2Fcgm.cs.mcgill.ca%2F~godfried%2Fpublications%2Fbanff.pdf&amp;ei=igPwTsq5AeaSiALfvJGmDg&amp;usg=AFQjCNGicA_qVlQNgmZZam3Xex3Opm_UyQ" rel="nofollow"></p>
<p>&#8220;The Euclidean Algorithm Generates Traditional Musical Rhythms&#8221;<br />
</a><br />
by <a href="http://cgm.cs.mcgill.ca/~godfried/" rel="nofollow">Godfried Toussaint</a></p>
<p><i>The Euclidean algorithm (which comes down to us from Euclid’s Elements) computes the greatest com-<br />
mon divisor of two given integers. It is shown here that the structure of the Euclidean algorithm may be<br />
used to generate, very efficiently, a large family of rhythms used as timelines (ostinatos), in sub-Saharan<br />
African music in particular, and world music in general. These rhythms, here dubbed Euclidean rhythms,<br />
have the property that their onset patterns are distributed as evenly as possible. Euclidean rhythms also<br />
find application in nuclear physics accelerators and in computer science, and are closely related to several<br />
families of words and sequences of interest in the study of the combinatorics of words, such as Euclidean<br />
strings, to which the Euclidean rhythms are compared.<br />
</i></p>
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		<title>By: Heather Ferreira</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-115806</link>
		<dc:creator>Heather Ferreira</dc:creator>
		<pubDate>Fri, 18 Nov 2011 21:36:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-115806</guid>
		<description>OK, who wants to try and tackle what the title of this 5/4 jazz composition is?  It&#039;s from the 1970 edition of Sesame Street.  Sounds to me like a library music selection, but I&#039;d give my left armpit to learn who wrote it, what its title is and where I can buy it.  

http://www.youtube.com/watch?v=YA8ANPRLhIA</description>
		<content:encoded><![CDATA[<p>OK, who wants to try and tackle what the title of this 5/4 jazz composition is?  It&#8217;s from the 1970 edition of Sesame Street.  Sounds to me like a library music selection, but I&#8217;d give my left armpit to learn who wrote it, what its title is and where I can buy it.  </p>
<p><a href="http://www.youtube.com/watch?v=YA8ANPRLhIA" rel="nofollow">http://www.youtube.com/watch?v=YA8ANPRLhIA</a></p>
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		<title>By: Stuart Buck</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107774</link>
		<dc:creator>Stuart Buck</dc:creator>
		<pubDate>Thu, 13 Oct 2011 02:37:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107774</guid>
		<description>Deas Vail also has a song where the verses are in 7/8 time!  http://www.youtube.com/watch?v=O4xjsekBXqs</description>
		<content:encoded><![CDATA[<p>Deas Vail also has a song where the verses are in 7/8 time!  <a href="http://www.youtube.com/watch?v=O4xjsekBXqs" rel="nofollow">http://www.youtube.com/watch?v=O4xjsekBXqs</a></p>
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		<title>By: John M</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107772</link>
		<dc:creator>John M</dc:creator>
		<pubDate>Thu, 13 Oct 2011 02:35:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107772</guid>
		<description>I adore weird time signatures in music. I hadn&#039;t realized how bizarre Crimson&#039;s infamous &quot;Discipline&quot; is. &quot;During the song the two guitars of Belew and Fripp, respectively, move through the following sequence of pairs of time signatures: 5/8 and 5/8, 5/8 and 4/4, 5/8 and 9/8, 15/16 and 15/16, ... and 14/16. Throughout the drums play in 17/16.&quot;    

Only 17/16?  Slacker!  :)

http://www.youtube.com/watch?v=bO2BIf12xnQ</description>
		<content:encoded><![CDATA[<p>I adore weird time signatures in music. I hadn&#8217;t realized how bizarre Crimson&#8217;s infamous &#8220;Discipline&#8221; is. &#8220;During the song the two guitars of Belew and Fripp, respectively, move through the following sequence of pairs of time signatures: 5/8 and 5/8, 5/8 and 4/4, 5/8 and 9/8, 15/16 and 15/16, &#8230; and 14/16. Throughout the drums play in 17/16.&#8221;    </p>
<p>Only 17/16?  Slacker!  <img src='http://www.johndcook.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p><a href="http://www.youtube.com/watch?v=bO2BIf12xnQ" rel="nofollow">http://www.youtube.com/watch?v=bO2BIf12xnQ</a></p>
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		<title>By: Stuart Buck</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107761</link>
		<dc:creator>Stuart Buck</dc:creator>
		<pubDate>Thu, 13 Oct 2011 01:38:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107761</guid>
		<description>Deas Vail&#039;s &quot;Atlantis&quot; is one of the most beautiful rock songs I&#039;ve heard, and the verses are in 5/4.  http://www.youtube.com/watch?v=215a2CI-OlM</description>
		<content:encoded><![CDATA[<p>Deas Vail&#8217;s &#8220;Atlantis&#8221; is one of the most beautiful rock songs I&#8217;ve heard, and the verses are in 5/4.  <a href="http://www.youtube.com/watch?v=215a2CI-OlM" rel="nofollow">http://www.youtube.com/watch?v=215a2CI-OlM</a></p>
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		<title>By: Rod</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107740</link>
		<dc:creator>Rod</dc:creator>
		<pubDate>Wed, 12 Oct 2011 23:23:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107740</guid>
		<description>also in 5/4 ... &quot;Do what you like&quot; by Blind Faith (self titled album 1969) &lt;a href=&quot;http://www.youtube.com/watch?v=CW4p02Nm1Vs&quot; rel=&quot;nofollow&quot;&gt;http://www.youtube.com/watch?v=CW4p02Nm1Vs&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>also in 5/4 &#8230; &#8220;Do what you like&#8221; by Blind Faith (self titled album 1969) <a href="http://www.youtube.com/watch?v=CW4p02Nm1Vs" rel="nofollow">http://www.youtube.com/watch?v=CW4p02Nm1Vs</a></p>
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		<title>By: patfla</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107724</link>
		<dc:creator>patfla</dc:creator>
		<pubDate>Wed, 12 Oct 2011 21:49:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107724</guid>
		<description>And (fwiw) Mahavishnu Orchestra had mind-blowing time signatures.</description>
		<content:encoded><![CDATA[<p>And (fwiw) Mahavishnu Orchestra had mind-blowing time signatures.</p>
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		<title>By: Jon Peltier</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107721</link>
		<dc:creator>Jon Peltier</dc:creator>
		<pubDate>Wed, 12 Oct 2011 21:17:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107721</guid>
		<description>&quot;Living in the Past&quot; by Jethro Tull is in 5/4. 

Yes liked uncommon time signatures. Sections of &quot;Close to the Edge&quot; are written in 12/8 for guitar and keyboard, and in 8/8 for bass and drums. &quot;Tales from Topographic Oceans&quot; is all over.</description>
		<content:encoded><![CDATA[<p>&#8220;Living in the Past&#8221; by Jethro Tull is in 5/4. </p>
<p>Yes liked uncommon time signatures. Sections of &#8220;Close to the Edge&#8221; are written in 12/8 for guitar and keyboard, and in 8/8 for bass and drums. &#8220;Tales from Topographic Oceans&#8221; is all over.</p>
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		<title>By: patfla</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107705</link>
		<dc:creator>patfla</dc:creator>
		<pubDate>Wed, 12 Oct 2011 19:11:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107705</guid>
		<description>The beautiful second movement to Tschaikovsky&#039;s 6th (and last) symphony really sounds like a waltz (3/4) but is in fact 5/4.  I&#039;m a musician (but work as a programmer): Brubeck&#039;s Take 5 sounds like 5/4 - Tschaikovsky&#039;s 2nd movement to the 6th does not.

Quite a slight of hand.</description>
		<content:encoded><![CDATA[<p>The beautiful second movement to Tschaikovsky&#8217;s 6th (and last) symphony really sounds like a waltz (3/4) but is in fact 5/4.  I&#8217;m a musician (but work as a programmer): Brubeck&#8217;s Take 5 sounds like 5/4 &#8211; Tschaikovsky&#8217;s 2nd movement to the 6th does not.</p>
<p>Quite a slight of hand.</p>
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		<title>By: Ian</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107678</link>
		<dc:creator>Ian</dc:creator>
		<pubDate>Wed, 12 Oct 2011 15:27:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107678</guid>
		<description>Genesis also tends to use odd time signatures.  A good example is Turn It On Again: http://www.youtube.com/watch?v=Au0_4hE_4-g

The main riff is in 13, which I&#039;d break up into 6+7, or further into 4+2+4+3.  There&#039;s also a prechorus section that I can&#039;t figure out how to count.</description>
		<content:encoded><![CDATA[<p>Genesis also tends to use odd time signatures.  A good example is Turn It On Again: <a href="http://www.youtube.com/watch?v=Au0_4hE_4-g" rel="nofollow">http://www.youtube.com/watch?v=Au0_4hE_4-g</a></p>
<p>The main riff is in 13, which I&#8217;d break up into 6+7, or further into 4+2+4+3.  There&#8217;s also a prechorus section that I can&#8217;t figure out how to count.</p>
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		<title>By: Odd meter music &#8212; The Endeavour</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-107650</link>
		<dc:creator>Odd meter music &#8212; The Endeavour</dc:creator>
		<pubDate>Wed, 12 Oct 2011 13:08:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-107650</guid>
		<description>[...] post Music in 5/4 time continues to get a regular stream of traffic over two years after it was posted. Check out the [...]</description>
		<content:encoded><![CDATA[<p>[...] post Music in 5/4 time continues to get a regular stream of traffic over two years after it was posted. Check out the [...]</p>
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		<title>By: Gary Gapinski</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-104213</link>
		<dc:creator>Gary Gapinski</dc:creator>
		<pubDate>Mon, 19 Sep 2011 18:25:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-104213</guid>
		<description>See also &quot;Get Over, Get Off and Get On&quot; in &lt;cite&gt;&lt;a href=&quot;http://www.allmusic.com/album/the-blue-yusef-lateef-r142548/review&quot; title=&quot;The Blue Yusef Lateef&quot; rel=&quot;nofollow&quot;&gt;The Blue Yusef Lateef&lt;/a&gt;&lt;/cite&gt;.</description>
		<content:encoded><![CDATA[<p>See also &#8220;Get Over, Get Off and Get On&#8221; in <cite><a href="http://www.allmusic.com/album/the-blue-yusef-lateef-r142548/review" title="The Blue Yusef Lateef" rel="nofollow">The Blue Yusef Lateef</a></cite>.</p>
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		<title>By: BAP170.1 Creative Project Presentation &#171; soundmission</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-96984</link>
		<dc:creator>BAP170.1 Creative Project Presentation &#171; soundmission</dc:creator>
		<pubDate>Sun, 07 Aug 2011 04:15:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-96984</guid>
		<description>[...] Music in 5/4 Time [Accessed: 07.08.11] [...]</description>
		<content:encoded><![CDATA[<p>[...] Music in 5/4 Time [Accessed: 07.08.11] [...]</p>
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		<title>By: Mary</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-93343</link>
		<dc:creator>Mary</dc:creator>
		<pubDate>Sun, 17 Jul 2011 10:05:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-93343</guid>
		<description>...meant CAN&#039;T remember...multiple senior moments!</description>
		<content:encoded><![CDATA[<p>&#8230;meant CAN&#8217;T remember&#8230;multiple senior moments!</p>
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		<title>By: Mary</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-93341</link>
		<dc:creator>Mary</dc:creator>
		<pubDate>Sun, 17 Jul 2011 10:04:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-93341</guid>
		<description>Another 9/8 is the Irish slip jig (3 groups of 3 per bar).
Sang a 5/4 hymn in church this p.m. with a very familiar melody (I remember it as an instrumental) by a composer I&#039;ve never hear of (and unfortunately can remember now).</description>
		<content:encoded><![CDATA[<p>Another 9/8 is the Irish slip jig (3 groups of 3 per bar).<br />
Sang a 5/4 hymn in church this p.m. with a very familiar melody (I remember it as an instrumental) by a composer I&#8217;ve never hear of (and unfortunately can remember now).</p>
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		<title>By: kim</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-73449</link>
		<dc:creator>kim</dc:creator>
		<pubDate>Mon, 28 Mar 2011 18:40:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-73449</guid>
		<description>I want to know more about &quot;odd&quot; time signatures in Pakistani and Indian music and does anyone know about jazz musicians who have incorporated these sounds?</description>
		<content:encoded><![CDATA[<p>I want to know more about &#8220;odd&#8221; time signatures in Pakistani and Indian music and does anyone know about jazz musicians who have incorporated these sounds?</p>
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		<title>By: Johannes</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-62327</link>
		<dc:creator>Johannes</dc:creator>
		<pubDate>Tue, 25 Jan 2011 13:03:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-62327</guid>
		<description>Mussorgsky&#039;s Promenade from Pictures of an Exhibition constantly changes between 5/4 and 6/4. I never actually &lt;em&gt;heard&lt;/em&gt; that it switches time signatures, but the sheet music looked weird at first :-)</description>
		<content:encoded><![CDATA[<p>Mussorgsky&#8217;s Promenade from Pictures of an Exhibition constantly changes between 5/4 and 6/4. I never actually <em>heard</em> that it switches time signatures, but the sheet music looked weird at first <img src='http://www.johndcook.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
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		<title>By: mnb</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-61057</link>
		<dc:creator>mnb</dc:creator>
		<pubDate>Tue, 18 Jan 2011 02:25:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-61057</guid>
		<description>If you like odd time signatures, check out Rush, a Canadian Rock Trio Band.  They seem to live for odd time signatures as most of their music tries to avoid 4/4.</description>
		<content:encoded><![CDATA[<p>If you like odd time signatures, check out Rush, a Canadian Rock Trio Band.  They seem to live for odd time signatures as most of their music tries to avoid 4/4.</p>
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		<title>By: Gage</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-53548</link>
		<dc:creator>Gage</dc:creator>
		<pubDate>Wed, 01 Dec 2010 05:05:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-53548</guid>
		<description>http://www.youtube.com/watch?v=qZquiACzPLY

There&#039;s a song in 5/4... at least partially.  Anybody remember ELP?</description>
		<content:encoded><![CDATA[<p><a href="http://www.youtube.com/watch?v=qZquiACzPLY" rel="nofollow">http://www.youtube.com/watch?v=qZquiACzPLY</a></p>
<p>There&#8217;s a song in 5/4&#8230; at least partially.  Anybody remember ELP?</p>
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		<title>By: Blake</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-49272</link>
		<dc:creator>Blake</dc:creator>
		<pubDate>Thu, 21 Oct 2010 18:38:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-49272</guid>
		<description>Awesome remix. John. Btw, I just discovered that Take Five still makes $100k per year in royalties. Incredible:

http://www.smoothharold.com/despite-being-50-years-old-my-favorite-jazz-song-makes-100k-year/</description>
		<content:encoded><![CDATA[<p>Awesome remix. John. Btw, I just discovered that Take Five still makes $100k per year in royalties. Incredible:</p>
<p><a href="http://www.smoothharold.com/despite-being-50-years-old-my-favorite-jazz-song-makes-100k-year/" rel="nofollow">http://www.smoothharold.com/despite-being-50-years-old-my-favorite-jazz-song-makes-100k-year/</a></p>
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		<title>By: Suresh</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-49102</link>
		<dc:creator>Suresh</dc:creator>
		<pubDate>Wed, 20 Oct 2010 14:40:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-49102</guid>
		<description>These odd time signatures are quite common in South Indian classical music. 5/8 and 7/8 are often.</description>
		<content:encoded><![CDATA[<p>These odd time signatures are quite common in South Indian classical music. 5/8 and 7/8 are often.</p>
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		<title>By: Radivoje Balkanac</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-47657</link>
		<dc:creator>Radivoje Balkanac</dc:creator>
		<pubDate>Sat, 02 Oct 2010 20:03:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-47657</guid>
		<description>Folk music from Balkans is mostly written in &quot;odd&quot; time signature. Most common are 7/8, 9/8 and 11/8.

&lt;a href=&quot;http://www.youtube.com/watch?v=FowHCMUc4Tw&quot; rel=&quot;nofollow&quot;&gt;Here is an example&lt;/a&gt; of 9/8 in modern arrangement.

And some of it in 7/8:&lt;a href=&quot;http://www.youtube.com/watch?v=0f-ueDtYNA8&quot; rel=&quot;nofollow&quot;&gt;http://www.youtube.com/watch?v=0f-ueDtYNA8&lt;/a&gt; :)</description>
		<content:encoded><![CDATA[<p>Folk music from Balkans is mostly written in &#8220;odd&#8221; time signature. Most common are 7/8, 9/8 and 11/8.</p>
<p><a href="http://www.youtube.com/watch?v=FowHCMUc4Tw" rel="nofollow">Here is an example</a> of 9/8 in modern arrangement.</p>
<p>And some of it in 7/8:<a href="http://www.youtube.com/watch?v=0f-ueDtYNA8" rel="nofollow">http://www.youtube.com/watch?v=0f-ueDtYNA8</a> <img src='http://www.johndcook.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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		<title>By: Eric</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-47597</link>
		<dc:creator>Eric</dc:creator>
		<pubDate>Fri, 01 Oct 2010 19:22:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-47597</guid>
		<description>Decoupage on Kenton &#039;76 is one of my favorite 5/4 songs.  Played that in Jazz Band in college.  Also tried &quot;Time for a Change&quot; mentioned above, but the horns never quite caught the time signature well enough to be able to perform it.

I&quot;ll note too that while you said 9/4 isn&#039;t usually considered &quot;odd,&quot; in Time for a Change it&#039;s not 3 groups of 3 like it might be (and which might not be all that odd), but rather a &quot;2-2-3-2&quot; pattern (I think), which makes it odd.</description>
		<content:encoded><![CDATA[<p>Decoupage on Kenton &#8216;76 is one of my favorite 5/4 songs.  Played that in Jazz Band in college.  Also tried &#8220;Time for a Change&#8221; mentioned above, but the horns never quite caught the time signature well enough to be able to perform it.</p>
<p>I&#8221;ll note too that while you said 9/4 isn&#8217;t usually considered &#8220;odd,&#8221; in Time for a Change it&#8217;s not 3 groups of 3 like it might be (and which might not be all that odd), but rather a &#8220;2-2-3-2&#8243; pattern (I think), which makes it odd.</p>
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		<title>By: Weekend miscellany &#8212; The Endeavour</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-47590</link>
		<dc:creator>Weekend miscellany &#8212; The Endeavour</dc:creator>
		<pubDate>Fri, 01 Oct 2010 18:01:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-47590</guid>
		<description>[...] Classical sacred music Music in 5/4 time [...]</description>
		<content:encoded><![CDATA[<p>[...] Classical sacred music Music in 5/4 time [...]</p>
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		<title>By: Jared</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-41062</link>
		<dc:creator>Jared</dc:creator>
		<pubDate>Thu, 01 Jul 2010 18:18:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-41062</guid>
		<description>Another common piece in 5/4 is Gustav Holst&#039;s Mars, from his suite The Planets.</description>
		<content:encoded><![CDATA[<p>Another common piece in 5/4 is Gustav Holst&#8217;s Mars, from his suite The Planets.</p>
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		<title>By: Jordan</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-39845</link>
		<dc:creator>Jordan</dc:creator>
		<pubDate>Sun, 13 Jun 2010 05:19:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-39845</guid>
		<description>Sting&#039;s &quot;Seven Days&quot; is also in 5/4. Definitely has a natural and free sound to it.</description>
		<content:encoded><![CDATA[<p>Sting&#8217;s &#8220;Seven Days&#8221; is also in 5/4. Definitely has a natural and free sound to it.</p>
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		<title>By: Steve and Jock</title>
		<link>http://www.johndcook.com/blog/2009/02/27/music-in-54-time/comment-page-1/#comment-27048</link>
		<dc:creator>Steve and Jock</dc:creator>
		<pubDate>Fri, 06 Nov 2009 17:57:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.johndcook.com/blog/?p=1632#comment-27048</guid>
		<description>&quot;Sky&quot; did &quot;Dance of the Little Fairies&quot; in 5/4 as well, and it was in the same kind of 5/4 as Take Five.

For a truly mindbending polyrhythmic time signature, check out Gorillaz 5/4, in which the guitars play in 5/4 but the drums in 4/4.</description>
		<content:encoded><![CDATA[<p>&#8220;Sky&#8221; did &#8220;Dance of the Little Fairies&#8221; in 5/4 as well, and it was in the same kind of 5/4 as Take Five.</p>
<p>For a truly mindbending polyrhythmic time signature, check out Gorillaz 5/4, in which the guitars play in 5/4 but the drums in 4/4.</p>
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