JC: The bio on your book says that you are an embedded software developer. Is GIMP something you use for fun or is it related to your work? Was it related to your work before?
MH: I use it once in awhile at work but not often. GIMP started as something related to what I worked on when it first came out (graphics software for Unix systems). But I’ve never been paid to be an artist. At one point I looked at trying to use what I knew about it to leverage my way into Pixar or Dreamworks. But that never panned out and my interest in that kind of animation has peeked and ebbed, mostly because I decided I didn’t want to live in California (too expensive).
JC: How did you become involved in the development of GIMP?
MH: When GIMP was born, back around 1995 or so, I was working for a company that provided commercial X servers for Unix systems (Xi Graphics, started by Thomas Roell who wrote the original reference implementation of an X server for 386 systems, aka X386, which begot XFree86 which begot X.org). I packaged Motif as part of my work. A guy I worked with noticed GIMP’s Motif version and pointed me at it. I wrote a plugin for John Beale’s sparkle code (the original Sparkle plugin). I’ve been working with GIMP ever since.
JC: Are you still a developer for GIMP or primarily a user?
MH: A user. I haven’t provided any useful code development to the project in quite sometime.
JC: What’s it like to be a developer on GIMP?
MH: Take this with a grain of salt. It’s a follower’s view from the outside, without being involved with the developers directly.
GIMP’s developer community is somewhat different than other open source communities that I’ve been involved with. GIMP’s leadership is de facto, but not necessarily structured. Many other projects have defined leaders with defined tasks. GIMP’s development is a little more oriented towards scratching your own itch: pick something that that you want to improve and start working on it. The only tough part (at least for some) is understanding and adhering to the main developers coding styles and rules, which are not (to my knowledge) written down.
My only complaint with this style is it tends to allow long term development cycles. End users can’t rely on when new features might be available. While the developers want do things “the right way”, that means that users have been waiting a very long time, for example, for deep paint support. There is a tradeoff for how you do development. Remember that the developers are volunteers, so there is no valid reason for complaining if you, as a user, aren’t getting what you want when you want it. If it bothers you, step in and help out. Otherwise, do as I do: be content with their development process.
JC: What advice would you give people who want to learn image editing?
MH: I learned how to use GIMP by reading Photoshop texts. Image editing is a common set of processes. Think about what you want to do if you weren’t using software. You’re house needs a new color? You mask off the window boarders and roof line and start painting. Same thing in image editing. Only difference: it’s easier to try different colors. Image editing is all about selections and masks. I’m not talking about creating the next Marvel comic, I mean editing existing images. Once you identify what needs to be changed using a selection and mask, you can do all kinds of things: copy and distort, recolor, refocus, etc.
Making comics or custom drawings requires real artistic talent to create a rough design on paper, then import (via scanner or digital camera) into GIMP for cleanup and coloring.
Personally, I prefer taking photos and mixing them together to create a scene that otherwise wouldn’t exist. There is a small example of this in the book. A photo of a city skyline as it exists and a munged version I created to make the city look decayed and falling apart. Beats me what people think of that image, but the creative process that went into it was very relaxing.
JC: What advice would you give people who want to learn GIMP in particular?
MH: Buy my book. Seriously. You learn both at the same time: what is image editing and how do you do it with GIMP. GIMP is just like any other desktop software. You learn where the menus are and what the various windows provide. The rest of your time is learning process — creating a workflow to produce a specific image type or style.
JC: What other software do you use/recommend for creating graphics?
MH: I use simple viewers like Geeqie for browsing images, but if you’re into photography you’ll nee something like f-spot. Photographers, who are nuts about image quality, should learn ufraw. Those interested in 3D or animation should take a look at Blender.
JC: Do you want to say anything about your work with embedded development?
MH: It’s my primary focus in life these days. I’m working on creating a custom media-focused Linux distribution (which I call BeagleBox) for the BeagleBoard C4 (and later the xm). I’d like to get my hands on the Raspberry Pi but wasn’t able to place an order when they first went on sale.
Embedded work is the future for Linux. The desktop for non-techies might change to tablets or such, but Linux will be in everything: your fridge, your TV, your car, your electrical system, your water and sewage systems, your phone, you’re neighbors who are flying robotic UAVs to peek in your windows. Everything.
My day job is building a radar system for UAVs (the big ones) that use embedded Linux to run out of flash. But the direction of interest is smaller devices, little boards with processors and memory in one, like the Pi or BeagleBoard, that can sense the environment and communicate to the rest of the household, with one of those devices used to display all the info on a big wall, removing the need for specialized devices just for the purpose of display.
Anyway, I’m really into making my own custom distribution based on Crosstool-NG (for cross compiling), u-boot (bootloader), Buildroot/Busybox (for root filesystems) and of course Linux.
See this post for links to other interviews here and a couple people who have interviewed me.