Creating police siren sounds with frequency modulation

Yesterday I was looking into calculating fluctuation strength and playing around with some examples. Along the way I discovered how to create files that sound like police sirens. These are sounds with high fluctuation strength.

police car lights

The Python code below starts with a carrier wave at fc = 1500 Hz. Not surprisingly, this frequency is near where hearing is most sensitive. Then this signal is modulated with a signal with frequency fm. This frequency determines the frequency of the fluctuations.

The slower example produced by the code below sounds like a police siren. The faster example makes me think more of an ambulance or fire truck. Next time I hear an emergency vehicle I’ll pay more attention.

If you use a larger value of the modulation index ╬▓ and a smaller value of the modulation frequency fm you can make a sound like someone tuning a radio, which is no coincidence.

Here are the output audio files in .wav format:



from import write
from numpy import arange, pi, sin, int16

def f(t, f_c, f_m, beta):
    # t    = time
    # f_c  = carrier frequency
    # f_m  = modulation frequency
    # beta = modulation index
    return sin(2*pi*f_c*t - beta*sin(2*f_m*pi*t))

def to_integer(signal):
    # Take samples in [-1, 1] and scale to 16-bit integers,
    # values between -2^15 and 2^15 - 1.
    return int16(signal*(2**15 - 1))

N = 48000 # samples per second
x = arange(3*N) # three seconds of audio

data = f(x/N, 1500, 2, 100)
write("slow.wav", N, to_integer(data))

data = f(x/N, 1500, 8, 100)
write("fast.wav", N, to_integer(data))

More frequency modulation posts

7 thoughts on “Creating police siren sounds with frequency modulation

  1. Note that this code works for smooth modulating functions. You are smoothly distorting the time axis and calculating cos(2pi f*distorted_time).

    If, for example, you want a 2-tone siren, then the modulating function would be a square wave, and the code above will return a wave with phase discontinuities at each tone change.

    In general, to produce a frequency modulated wave, you need to integrate the instantaneous frequency in order to get a continuous phase, and then calculate cos(phase).

  2. I think you might be mistaken on the “most sensitive” part. I’ve heard 4000 before, and a quick googling suggests 2000-5000.

  3. The difference between those numbers isn’t so much on a log scale, and perception is kinda flat in that range.

  4. Fredrik,

    I too generated soundless .wav files. Examination showed that it was because all zeroes were getting written to them. I fixed this by making sure that the data generated was using floats:

    x = arange(3*N, dtype=float32)

    I’m using Python 2, and numpy.arange() produces integers by default.

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